Davison chose a large-flowered newly imported Pfitzer hybrid from Germany called 'Germania' as the pollen donor; it was an important step regarding the development of the genus as crossed with 'George Davison' a new strain of hardier, potentially polyploid hybrids was created. Wallace and Co., nursery and landscape specialists at that time commissioned Davison's breeding and propagated and distributed his material. From 1895-1912, he produced 11 hybrids these include 'George Davison', 'Lady Hamilton', Prometheus' and 'Star of the East', which are still in cultivation today. Davison's expertise in breeding turned to apples in 1908, but fortunately, stocks of his Montbretia were given to another Norfolk plantsman Sydney Morris and here's where the real story starts.
The Development of the Earlham Giant Montbretia
It was this gift of material that gave rise to the largest, brightest and most popular strain of Montbretias ever created, the Earlham Giant Strain. No-one knows what attracted Sydney Morris to Montbretias, whether it was his head gardener George Henley or indeed the popularity of George Davison's hybrids, which were extensively exhibited. The early breeding work was done in the grounds of Wretham Hall, Norfolk and documentation is very limited regarding this early work but we know that the first hybrid was developed in 1909 and was named after its breeder 'George Henley', and was awarded a RHS Award of Merit later that year. In 1912 or 1913 Sydney Morris must have either bought or leased Earlham Hall, Norwich, from the Guerney family as we know that Wallace and Co. were commissioned to design and landscape the grounds of Earlham Hall. An enthusiastic young horticulturalist called J. E. Fitt was chosen by Wallace and Co. to supervise this work. According to the Fitt family, Morris was so pleased with the work of this young horticulturalist that he was asked to stay on and assist George Henley as his head gardener was reaching retirement.
Jack finally took over from George Henley in 1916 and became Morris's head gardener at Earlham Hall, where he worked until Morris's death in 1924. On Morris's death he was bequest all of the Montbretia stocks and was asked to become the head gardener for the Honary Mrs. Edwin Montagu of Breccles Hall, Attleborough, Norfolk. Beatrice Venetia Montagu and J. E. Fitt very successfully carried on breeding and showing Montbretia. All new hybrids were still called Earlham Giant Montbretia in memory of Sydney Morris, and many new forms were shown and given RHS Awards of Merit just like the ones that were originally raised at Earlham Hall. All were raised from seed and most flowered just ten or eleven months later.
Similarly, the naming of their hybrids didn't change much as Earlham Hybrids as a general rule are either named because of a floral attribute or after VIPs or important plantsmen of the time. E. A. Bowles, a close friend of Jack Fitt, was honoured by this, indeed Bowles painted some fine examples of Earlham Hybrids, namely 'Citronella', 'Queen Alexandra' and 'His Majesty'. Lady Churchill (Clementine Churchill) was also honoured, as she was the cousin of Beatrice Venetia Montagu.
Sir Winston Churchill and Lady Churchill were frequent visitors to Breccles Hall; indeed like the well-known wall that Churchill built at Chartwell, unknown to many, he also built a wall at Breccles. J. E. Fitt's assistant Albert Hill, who was in charge of Montbretias, was in 1928, asked to become head gardener at Chartwell, and not surprisingly some breeding continued at Chartwell.
Earlham Hybrids, unlike Davison's hybrids were sold from both Earlham Hall and Breccles Hall, and because of their size and beauty, the largest blooms measuring four inches in diameter; they became extremely fashionable and commanded very high prices. 'His Majesty' RHS Award of Merit 1919, was sold by Sydney Morris in 1920 for £2 per corm. From 1909 to 1939 over one hundred Earlham Giant Montbretias were produced, their selection was indeed very rigorous as only the best hybrids were commercially released, devotion to the plants was indeed more important to their breeders than any potential commercial gain. Their dedication and devotion is a credit to both them and their family, it is just such a shame that the events of 1939 and the outbreak of the Second World War ended such a glorious period of our horticultural heritage.
The Modern Era
Very few Crocosmia varieties were produced or named after the war or in the 1950s, and we really have to wait until Alan Bloom's involvement with them at Bressingham, and the breeding of 'Lucifer' in 1966, that we see a rise in their popularity once more. Blooms went on to breed a number of significant hybrids of garden worthiness, and most of these became exceedingly popular, and because hardier than most of the varieties that had previously been bred. The varieties include such plans as 'Bressingham Blaze', 'Bressingham Beacon', 'Vulcan', 'Jenny Bloom', 'Spitfire' and 'Firebird'. Their use of both Crocosmia paniculata and Crocosmia masoniorum in their hybrids, two much hardier species gave rise to a new period of Crocosmia breeding and popularity. Crocosmia have never really been out of fashion since, 'Lucifer' remains one of the most sought after and popular varieties, and I very much doubt Crocosmia would ever have become so fashionable if it wasn't for the work done at Bressingham.
Throughout the seventies, eighties and nineties, and with heightened interest in the genus many older varieties have indeed been found and introduced to the horticultural trade, but many more new varieties have also been developed, and by both commercial and amateur breeders, and we are again blessed with a good selection we can chose from for our gardens.
These new hybrids can be roughly divided into three groups: